I really need to get better at this blogging thing!
It’s blatantly apparent that I’m really bad at posting here on a regular basis. But a bout of COVID has sidelined me this week, and I’ve also had a pretty good excuse – I’ve been BUSY. Since restrictions started lifting last year, theatre returned with a vengeance. All of the shows that were previously cancelled and postponed came back to life, and having done nothing artistic for the better part of a year and a half, it was time to take hold of the reigns again. So let me catch you up on the goings on.
First, Happy Birthday by Marc Camoletti (adapted by Beverly Cross). My fifth show at Metro Theatre. Luckily we only needed to recast one role, and we were able to start up relatively quickly. This one was an established British comedy filled with people behaving badly, but the same could not be said of the cast. A lovelier bunch of people you’ll never meet.
My Blue Heaven
The next show was Jane Chambers’ My Blue Heaven, the first show mounted by Surrey’s newest community theatre. While written 40 years ago, it still speaks to many of the issues that the LGBTQIA2S+ community today. Not only did it run in March, but it was invited to the Fraser Valley Zone Festival in May, and then won the wildcard slot at the TheatreBC Mainstage festival in July.
Moon Over Buffalo
Finally, Moon Over Buffalo by Ken Ludwig. Carol Burnett led this show’s Broadway debut in 1995, and it’s farce at its best, complete with slamming doors, drunken antics, affairs, and time crunches. It was my first show with Deep Cove Stage Society, and my return to North Vancouver after my last show there in 2018. This cast and crew were troopers, filling in for one another as we dealt with various COVID diagnoses. And they brought the funny every single night.
Now, you would think I’d take a break after all that, right? Not a chance. Twist opens October 20th at Hendry Hall in North Vancouver. Tickets soon go on sale at https://northvanplayers.ca/tickets/.
I love directing. I’ve loved it since I took my first stab at it back in 1990something.
I started in community theatre, where I watched others in charge of the shows I was in and said, “Hell, I can do that!” A lot of chutzpah for somebody who was only 22 at the time, but I didn’t let that deter me. In rapid succession, I took on some of the most complicated and known shows in theatre. I even put the Titanic on stage. I loved every minute of it. Then I took an extended break, and when I came back, was surprised to find that I loved it all over again.
There is something about watching actors breathe life into a script that you’ve read fifty times before auditions even start. Or a script that doesn’t really seem that funny on the page, but you cast the actors who can make you laugh while they read for the part. It’s even more magical when, just before you move into the theatre, they can still make you smile. Then make your friends laugh. Then total strangers. And, hopefully, reviewers.
When it works, you feel like you can take on the world. When it’s tough, you buckle down and do the best you can for your cast to figure out how to make it work. And somehow, it always does. It may not be how you pictured it, but not only does it all turn out, sometimes it’s leaps and bounds beyond what you first envisioned.
And then you turn over the reins, and let them go to work in front of an audience, where they shine. And while my job is done, I love watching them perform, and to see how an audience reacts to them.
That’s why I do it. And I’ll do it as long as the theatre will have me.
I know some of you have been wondering where the original kaytroth.com went, but wonder no longer! Here it is, new and improved and in a format that I actually like!
This is a work in progress of course, but it’s also the place to find the latest about the creative stuff that I am up to. Theatre, books, TV & film – you can find it all here. Feedback is welcomed, but remember – misbehaviour means no cookies for you. Enjoy!